a selection of The best screenplays from ALL the seasons

Calling all film producers and directors seeking captivating scripts!

We’re thrilled to assist in establishing direct communication between you and the gifted screenwriters behind these remarkable projects. The greatest advantage? Our assistance is entirely free of charge. Seize this chance to delve into extraordinary scripts and join forces with enthusiastic authors. Get in touch today, and allow us to assist you in transforming your artistic vision into reality.

King of Blades

Paul Hikari

Writer

United States

Country of Origin

109

Number of Pages

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Makoto Yamasaki’s father, Yoshihiro, is a champion in the gladiatorial virtual reality sporting event, Children of the Earth—its King of Blades, as the title would have it. Unfortunately, on the night after his latest win, the train he rides home crashes, leaving him paralyzed. Makoto thus aims to compete in the competition herself, determined to prove that she’s worth more than just being Yoshihiro’s daughter. After many years of training, she successfully enters, but standing in her way of the championship is the current King of Blades, Joshua Strada, who had once fought Yoshihiro and lost. Furthermore, over the years, she has become increasingly cold and distant, even to friends and family, to the point where she may even risk her own life to get by on her own. In order to win the competition, she must accept their support and find a way to overcome her opponents—and herself.

From writing scripts for Emperor Pigs to publishing his scrapbook novella, Voices, Paul Hikari keeps thinking, “I can do better than that,” and has let that propel him through both his voice acting and scriptwriting, largely for YouTube stuff.

John Rice

Writer

United States

Country of Origin

80

Number of Pages

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An old man nearing the end of his life did’t ask to receive all of the powers of Dracula, but he could decide whether he used those gifts for good or evil.

The priory of Sion published by editions edilivre in france

Cazebon-Taveau

Writer

France

Country of Origin

170

Number of Pages

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The treasure of templars of abbe Sauniere and of abbey Boudet of Rennes of Castle in France with the priory of Sion, the Graal of templars, mediums and historical people against enemy Brouillard society.

The Magical Adventures of Detective Sam

Gail Pickett

Writer

United States

Country of Origin

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A Pup Dective goes on fun and exciting adventures along with his friends to teach good moral tackle bullying and other subjects each episode is fun mystery and included the children to help solve very fun and all kids are included as well . The first adventure is on bullying with a whole season not limited to haunted adventures could be real live action or cartoon.

Writing is my passion, and I enjoy expressing myself through various genres. From writing cartoons to adult thrillers, I find joy in exploring different storytelling styles. I have been honing my writing skills since the age of 12 and have even been fortunate enough to receive a few awards for my work.

Hey there! I’m Gail, a professional author and screenwriter. Currently, I’m immersed in the world of Detective Sam, a crime-fighting pup who not only fights for justice but also explores emotional and moral themes, making it a fun and educational experience for kids. Additionally, I’m also working on a thrilling drama movie script that promises 90 minutes of excitement and crime.

William Rush

Writer

United States

Country of Origin

98

Number of Pages

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A woman home for college break must outwit a very dangerous intruder.

Cassie, a young woman returning home during a college break makes plans with her hometown boyfriend for him to come visit her at her parents’ house while they are away for a concert.

She is waiting with anticipation for her visitor to arrive when he makes his entrance. However, this is not the visitor she expected.

Now Cassie must fight for her life to escape this unwelcome intruder, isolated and on her own, with no means of escape.

Can she fend him off until help arrives, or will she be his latest victim.

The film is a thrilling horror film about a shocking home invasion and the cat and mouse struggle for survival that ensues. A strong female lead is our protagonist, and I am confident the character will captivate audiences with her intelligence and determination.

Our mission is diversity and representation in film, both in front of and behind the camera. This includes women, people of color, members of the LGBTQIA+ community, differently-abled people and people for whom English is a second language.

Our cast, crew and screenplays are always diverse in terms of sexuality, cultural experience and gender, and voices of underrepresented individuals are always a key component in my stories. Sweetener, I am hopeful, is the same.

William R.A. Rush was born and raised in Syracuse, NY and moved to Philadelphia in 2023 to attend law school. He has been a practicing attorney for eighteen years primarily as a trial attorney.

He began making movies in late 2022 after years as a passionate lover of film with a licensed Stephen King adaptation, “One for the Road”.

He uses lis legal training and experience in his approach to filmmaking. As a trial lawyer, he has always worked on cases where a single event or crime, followed by years of investigation, leads to sometimes a couple days or less to condense years of information into a single presentation to present his case.

This is how he approaches filmmaking: a massive and meticulous amount of preparation all leading to filming the project.

This also leads to his eye for realism and truth. Drawing as his experience as a father to three daughters, he incorporates his life and experiences into his films’ messaging and depth to create an immersive, realistic and often unflinching style and subject matter.

Direct Action

Tor Kristoffersen

Writer

United Kingdom

Country of Origin

107

Number of Pages

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When a teenage environmentalist uncovers plans to open a coal mine in her home town, she fights tooth and nail to stop it, placing her on a collision course with her father, the police and the courts.

I’ve been part of climate groups for years — I’ve gone to meetings, marched and organised and find it deeply concerning that we just carry on destroying the ecosystem we need to survive. We’ve wiped out 69% of bio diversity since 1970, are currently 1.1 degrees above pre industrial levels and according to the IPCC have to reduce our fossil fuel emissions by 43% by 2030 or we’ll lose the world as we know it.

As the younger generation become increasingly alarmed groups such as ‘Extinction Rebellion’, ‘Insulate Britain’ and ‘Just stop Oil’ are demanding action. In response the government has introduced draconian laws to control protest while green lighting new oil licenses and coal mines. We are truly at a crossroads where we can continue along a path to climate breakdown or change our direction.

It was this that inspired ‘Direct Action’, the story of Emily Phillips leading a march against a local coal mine only to face staunch opposition from her father, the police and government — where the changes in law are making it perilous to protest and any attempt to argue against climate breakdown is seen as fanatical. Direct Action is a coming of age drama but it’s also about our country’s direction and the kind of society we want to live in.

Tor Kristoffersen is an award-winning writer-director with over ten years of experience in film. He has made commercials, shorts and brand films for clients ranging from Sega and Standard Chartered to Thrudark, making hard-hitting pieces which pack an emotional punch.

He started in theatre before moving into film where he worked as a director and editor for a range of branding and production companies before co-founding Form Films. His shorts have been selected for numerous international film festivals and won a series of awards, notably a Special Jury mention at Venice Shorts Film Festival, Cannes Silver medal and Encounters DepicT overall winner. His goal is to make long-form stories that explore the relationship between power, politics and the climate crisis.

Litten's Passion

Arik Bjorn, Debi King McMartin, Evelyn "Lyn" Morgan

Writer

United States

Country of Origin

108

Number of Pages

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After challenging Nazi leader Adolf Hitler in a pre-World War II German courtroom, a brilliant young attorney begins a courageous fight for justice, his country, and ultimately his life. LITTEN’S PASSION is a true historical drama in the tradition of SCHINDLER’S LIST, about an ordinary man who becomes extraordinary by standing his ground before an army of evil and risking all to save the soul of a nation. The little known true story of Hans Litten, the forgotten first victim of the Holocaust, is one the world cannot afford to forget.

There are few words left in spoken language that truly turns heads. But Holocaust still retains such lexical power. So do Hitler, Nazi, Auschwitz, and Dachau. Such iron-wrought phonemes have become effective synonyms of incarnate evil, of horror beyond imagination, especially for the generation for whom World War II already seems distant history; no longer a living memory, but one only brought to life through books, films, and museum artifacts.

In 1993, Steven Spielberg rekindled the memory of Oskar Schindler for an entire world of moviegoers. (Novelist Thomas Keneally had done the same for a world of readers eleven years prior.) I will never forget my experience with the film SCHINDLER’S LIST. Upon emerging from the theater that gray, wet night in Chicago, I found myself unable to speak. Unable to critically assess. Practically unable to drive home. I remained in such a state for several days. The Holocaust—that distant hell—had briefly visited the state of the present time. But not for the last time.

Three years later, I spent an extended summer in the Middle East, finishing coursework for a master’s in New Testament Studies. For several weeks, I was privileged to live within Old City Jerusalem, at a university that bordered Sulemain’s Wall on Mt. Zion and overlooked the Valley of Gehenna. (Corrupt King Josiah committed many acts of abomination in this valley, after which it became the city’s common cesspool and the theological inspiration for an inferno afterlife. Thus, the irony of ironies, from my window, I could partake a view from Paradise, into the very depths of hell.)

I soon learned that Oskar Schindler was buried in Old City Jerusalem, in a small Catholic cemetery several hundred meters from where I was staying. After World War II, Schindler emigrated to Argentina but soon went bankrupt. Eventually, a community of Holocaust survivors located their “rescuer,” who, immured in poverty, had repatriated to Germany. When Schindler died, he was interred in the Holy Land, one of the few places that had embraced him after the war. (In the 1960s, he was invited to plant a tree along the Avenue of the Righteous at Jerusalem’s Yad Vashem Museum.)

I visited Schindler’s place of rest many times that summer. His marker was easy to find—covered high with rocks, as is Middle Eastern custom, honoring the dead with stones, akin to our laying flowers at a grave. The photograph I took of Schindler’s grave has hung on my office wall ever since, its caption a permanent reminder of the ultimate human struggle, the war between good and evil: Der Unvergessliche Lebenretter. “The Unforgotten Lifesaver.”

In 2003, the Holocaust came alive to me yet again, in a place I never could have expected. Certainly, in a way I never expected—but, I suppose, in the way it will only ever come alive again, as the generation who lived through those days is nearly gone.
Three years ago, I moved to Columbia, South Carolina, enrolled in graduate school at the University of South Carolina to study for a master’s degree in library science, and soon found myself working for USC’s Department of Rare Books and Special Collections. The USC Rare Book Library is a closed-stack bookman’s attic, a dusty Bibliotheque, wherein only a handful of individuals are privileged to explore its dusty, treasure-filled shelves. (I once happened upon a 17th-century Descartes volume that the library did not know it owned, having improperly cataloged it in the 19th century.)

In Spring of 2004, a German institution sent our library an obscure request for information about a man named Hans Litten. They noted that USC owned the papers of Lord Allen of Hurtwood (a fact listed only in cursory fashion on USC’s website), and they wondered whether this archive contained any information about Herr Litten.

The University of South Carolina acquired the Allen Papers from the family in 1960 but had never processed them. Thus, no one knew what the 20-odd boxes of materials contained. Moreover, no one had heard of Hans Litten.

The task fell to me to sort through the Lord Allen Papers in search of Hans Litten. Before long, a breathtaking, nearly-forgotten story emerged. Letters from Lord Allen to Adolph Hitler. Letters to Lord Allen from Joachim von Ribbentrop, the Nazi Foreign Minister. British newspaper accounts of the Holocaust, from as early as 1933. Gruesome headlines about the beheading of hundreds of German prisoners. And several boxes of letters that told the story of an underground movement, composed of private citizens and politicians, both British and Continental, of which Lord Allen was the nucleus, who did everything possible to free numerous Germans from Nazi imprisonment and torture.

Who were these forgotten prisoners? Unbelievably, they were the first victims of the Holocaust. Before there was a Final Solution. Hans Litten. Carl von Ossietzky. Erich Muhsam. Ernst Heilmann. Hermann Liebman. The several dozen men Hitler ordered arrested in the early morning hours of February 29, 1933, within hours of the Reichstag Fire. (Some were arrested in the immediate days and weeks that followed.) These men posed the greatest political threat to Hitler’s nascent dictatorship. But the man the Fuhrer despised most was Hans Litten, a pacifist attorney who, in a Berlin courtroom in May 1929, had interrogated and humiliated Hitler before the entire German nation. Hans Litten became a trophy of contempt for the Nazi inner circle, enduring unimaginable torture for five years. His story is, of course, told within the pages of LITTEN’S PASSION.

Nearly all the original Reichstag prisoners were brutally tortured. And those who weren’t outright murdered, after a session of beating, would return to their cells and discover nooses hanging from the ceiling: for some, a welcome end to their undeserved suffering. Hans Litten, however, was afforded no such macabre invitation.

But this was not so. By the time the U.S. troops liberated Dachau on May 1, 1945, Hans Litten’s suffering had long ended. No one knows how Hans Litten was murdered in February 1938, only that he was. And with the passing of time, and the burial of the Lord Allen Papers in the rare book recesses of the University of South Carolina, the name Hans Litten has nearly faded from memory.

Also forgotten is the part Lord Allen played in the Litten Affair. A devout pacifist who was himself imprisoned for conscientious objection during World War I, Reginald Clifford Allen became a prominent political-left figure, newspaperman, and founder of the No-Conscription Fellowship. He was eventually offered a peerage, but he was a lord without an estate, living, at best, a middle-class existence, despite his title.

Lord Allen’s efforts to free Hans Litten, and hundreds of other German prisoners, cannot be fully recounted in the space of this l. Suffice it to say, such a history deserves the title Lord Allen: The British Schindler.

When I discovered the series of February 1938 letters that informed Lord Allen of Hans Litten’s murder, I was thunderstruck. Litten’s death impacted Lord Allen with an equal blow. One year later, Lord Allen fell ill and died. I cannot help but think that Allen’s physical collapse may have been the result of feeling responsible for failing to save Hans Litten. For failing to save so many. And toward the very end, the devout pacifist must have realized that only force could free Germany, and the world, from such a powerful evil.

Neither Hans Litten nor Lord Allen lived to see V-day. So many died not knowing whether Hitler’s armies would be destroyed, whether liberty would be restored. And now, the remaining survivors and witnesses of the Holocaust must similarly wonder how the future will remember those dark days of Nazi reign. What monuments will be established to prevent such unspeakable wickedness?

The writers hope Litten’s Passion will become such a monument. Hitler’s rise to power could have been prevented. All such horrors can be prevented. I pray the names of Lord Allen, Hans Litten, and Irmgard Litten will become luminescent, forever countering and overpowering the diabolical connotations of Concentration Camp.

How many times in the past year-and-a-half I have sat at my desk and wiped tears off decades-old pages. Pages that Ribbentrop signed and Hitler may have previewed. Pages upon which Corder Catchpool and Dorothy Buxton and so many other unknown underground heroes wrote in the exigent pursuit of justice. Pages that Lord Allen read, wherein Irmgard thanked him from the depths of her heart for all his help, despite the tragic fate of her son.

You who touch these pages, whether they be fresh from the printer, or foxed and brittle with age, you are beholden to this monument of Hans Litten, the forgotten first victim of the Holocaust. In these pages, the Holocaust rises out of the past and becomes present. For the memory of Hans Litten, and the millions who suffered, endeavor to make certain such darkness never casts its shadow over the future.

Even if LITTEN’S PASSION never becomes a film, Hans and Irmgard, and all the good men and women who fought for justice, have inspired my life beyond measure. But it would be so wonderful for the whole world to see this story through our impacted eyes.

Arik M. Bjorn
Columbia, SC

LITTEN’S PASSION was written by Arik Bjorn, Debi King McMartin, and Evelyn “Lyn” Morgan. Mr. Bjorn is a published columnist and librarian with a history background. In 2004, he stumbled upon a major Hans Litten archive that had been buried from the public for more than 40 years. This led to several years of intense primary research for LITTEN’S PASSION. Ms. King and Ms. Morgan have partnered on several optioned and produced screenplays, including The Pardon, a true historical drama starring Academy-Award nominated Ethan Hawke and Skookum: The Hunt for Bigfoot. In 2006, an early draft of LITTEN’S PASSION was given serious consideration by the late Anthony Minghella (Mirage Entertainment).

Brahma's Feet

Krystopher Hugo Neto Taulois de Andrade

Writer

India

Country of Origin

102

Number of Pages

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A heartwarming drama that follows the intertwined lives of Mahesh and Raju as they embark on a transformative journey that explores the themes of friendship, family, and self-discovery.

Mahesh, a compassionate and caring individual, finds himself thrust into a unique role as he encounters Raju, a young boy who has tragically lost his mother. Bound by a deep sense of responsibility, Mahesh takes it upon himself to bring Raju back to his grandmother’s home in Sikkim.

Their journey unfolds through the breathtaking landscapes of the mountains, as they navigate narrow roads and encounter a diverse group of fellow travelers. Along the way, Mahesh and Raju form a strong bond, finding solace and support in each other’s presence.

Krystopher Andrade, filmmaker. Born in Brazil in 1987, director of short films and assistant director of feature films and documentaries between Brazil, Spain and Poland. Currently working as writer and director of a Feature Film in India. CEO GEA Film Fest since 2016.

Shane Hallawa

Writer

United States

Country of Origin

502

Number of Pages

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Adapted from my novel “The Stylite” now out on Amazon.

Teresa Amadei is a young stylite, a wandering, ascetic demon hunter, trained in the Way of Fire. Her teacher, Father Simon, a Byzantine martial artist monk, sends her on a journey to the city of Alexantine in the Midwestern US, where many are moving to escape the growing chaos in the world. Along the way she stops at towns and cities and battles the Daemoklos, demons who have escaped from their prison, to seal them away by writing them back into their eponymous grimoire. She is aided by her older cousin and fellow stylite, Matthew Abbate, and crosses paths with the mysterious black knight, the Saracen, with his own agenda.

The novelization of my story “The Stylite” is now available on Amazon.
I have developed a list of actors and actresses who I believe could play the characters in the story. Any who are interested in the script can discuss casting possibilities with me.

Joshua Rose

Writer

United States

Country of Origin

95

Number of Pages

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A man goes home to bury his grandmother and unearths the ghosts of his past. He’ll have to battle his demons before he can find his own way home.

Tasmanian Tiger

Attila Baranyi

Writer

United Kingdom

Country of Origin

115

Number of Pages

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A troubled ex policeman fighting with his own demons, while going on a warpath against a well organised human trafficking mob to find some redemption through pain, fire and blood.

My journey as a writer is fueled by an unyielding love for both the cinematic art form and the intricacies of the human experience. With a Bachelor’s degree in Social Work grounding my understanding of humanity, I try to embark on each storytelling endeavor with a profound appreciation for the depth and complexity of human relationships.

In crafting narratives, I am drawn to the interplay between poetic imagery and the creation of new realities. I revel in the process of weaving together scandalous and subversive materials, unearthing the raw truths that lie beneath the surface of societal norms. Through character-driven stories, I delve deep into the human psyche, exploring the multifaceted nature of our weaknesses, desires, and fears.

At the heart of my writing lies a fascination with inspiring character development—the transformative journey of the soul as it navigates the trials and tribulations of life. I am endlessly intrigued by the moments that shape our personalities, the crucibles of experience that mold us into who we are.

Above all, I am captivated by the power of human relationships to illuminate the human condition. Whether exploring the depths of love and longing or the complexities of betrayal and redemption, I seek to unearth the universal truths that bind us all together.

In my writing, I aspire to provoke thought, challenge conventions, and ultimately, stir the soul. Through stories that resonate on a deeply personal level, I endeavor to ignite a spark of empathy, understanding, and connection in the hearts of readers and viewers alike. For me, writing is not just a creative pursuit—it is a deeply meaningful exploration of what it means to be human.

Born from a passion for storytelling, my journey as a first-time screenwriter has been nothing short of extraordinary. With my debut screenplay, “Tasmanian Tiger,” I have had the privilege of captivating audiences worldwide, earning the prestigious honor of five award wins that have propelled my enthusiasm to new heights.

The genesis of “Tasmanian Tiger” was a hard labor as my first story. As the accolades for my screenplay began to accumulate, I found myself humbled by the recognition and emboldened by the opportunity and chance to share my story with the world.

Now, residing in the vibrant cultural tapestry of London, I have embraced a dual identity: by day, I am a dedicated social worker, committed to making a difference in the lives of those in need; by night, I am a storyteller, aspiring filmmaker.

One Mad Apple

Laurie Asbourne, Tom Pratt

Writer

United States

Country of Origin

113

Number of Pages

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A dark comedy feature inspired by a true story and based on the book of the same
name.
After a man moves to small town to care for his dying father, he embraces the
community and his new life as a stepfather and husband, until he finds himself in the
crosshairs of an unhinged townswoman who challenges him in a school board election
and makes him look like the crazy one.

This story of a small town in turmoil and fear because of a combatant and mentally unstable elected official, who just happens to serve on the local school board. One Mad Apple is inspired by real-life events and evokes fear in many of us: mentally unstable individuals threatening our communities and especially our children.

I am a 64-year-old first-time author and screenwriter who believes this story needs to be told.

I served on my local school board before and after Covid and it was horrific! My life was threatened many times, via social media and in my face. The book I wrote, which this screenplay is based on, was requested to be banned by the local population at a school board meeting as well as many beloved books we grew up with which we cherish. This practice of restricting free speech needs to stop now. 

The United States (Divided States of America) is more polarized than ever. This story exemplifies the realties that all politics begins even at the local level.

MARYAM & VARTO

Gorune Aprikian

Writer

France

Country of Origin

80

Number of Pages

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We are in Anatolia, in 1915. Maryam and Varto’s father abandons them, in a village where they don’t know anyone. One thing’s for sure, they must never split up. Maryam is the older sister, but Varto, as a little man in this macho world, who believes that it is his duty to protect her. They are Armenians, alone in a Turkish village. But an older man wants to help them and sends his son, Hassan, to their rescue, against his will, with the mission to take them to a safer place.

All three will have to escape from looters and roughneck soldiers. But their odyssey will also be enchanted by the magic of the mountain and the help of spirits.

This adventure will have unexpected consequences nowadays. Hunted by the ghost of her grand-mother, a young Turkish woman and her son will have to make a trip from Istanbul to Paris to meet a mysterious old man. But he is grumpy and doesn’t want to see them at all. But destiny is not something they can control, and their lives will move in unexpected directions.

I understood when I was writing MARYAM &VARTO, that a story about reconciliation leads to a thought on the identity because both subjects are actually bound inextricably.

The movie is made by interlacing two periods of time which embody conflict and reconciliation, separation and meeting.

MARYAM & VARTO does not want to be a historic movie but an intimate drama.
It is about people torn away one from another and who find themselves gathered beyond time and space, through their children.

The originality of this movie is that the oldest period is handled in a more energetic and modern way than the current time, in order to make people feel that the drama is still present and accurate in the minds of the protagonists.

Animation is for me a perfect tool to express this story, as it will free it from geographical and time bounds to make it universal and poetic.

Gorune Aprikian has been a coal miner, engineer, publisher, film producer and a scriptwriter. In 2005, he is the executive director of an important French press group, leading many publications on cinema and television (Studio Magazine, Le Film Français, Télé Star, Télé Poche…). He then decides to quit the world of large firms to dedicate himself to writing and cinema, first as a producer within ARAPROD then as writer and director. In 2016, Gorune Aprikian directs his first feature movie with “Passade” ( Just a Fling) .

The Slovenian Girl

Chaz Fatur

Writer

Slovenia

Country of Origin

109

Number of Pages

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A twenties-something girl is sent to Slovenia from the United States to be part of the Foreign Exchange program. But when her Parent get a divorce and forget about her, including paying for her schooling, she has to resort to the oldest profession in the newest trend – become a Call Girl. She quickly develops a popular reputation, to deem her title of The Slovenian Girl.

Write when you feel it… then get into your Zone & write your butt off!

Charles Ryan Fatur aka “Chaz” is a U.S. Navy Veteran turned Filmmaker. He got his first experience on the set of “Pearl Harbor” when he worked as a ‘real’ Military Background Artist. Since then he has acted in several Films and TV Shows, but later turned his focus on behind the camera and turned into a prolific Screenwriter, aspiring Director & Producer. He has several projects in development. He feels you’re never too old to learn and never too old to succeed! Just take it one project at at time.

Turn the Sandglass

Robert Gokay

Writer

United States

Country of Origin

119

Number of Pages

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With a little help from above a lost love can be found again and a man’s will to live restored.

Raised in Shaker Heights, Ohio. Upon high school graduation, moved to California and picked lemons in Santa Paula with other migrant farm workers. BA, UC Berkeley, MBA, UCLA, long career corp. middle management, marriage, family, retirement, divorce. Alarmed by re-appearance of White Supremacy and eugenics, wrote “Next Time We Meet”. Contemplating the passing of old friends and my own aging, wrote “Turn the Sandglass”.

With a little help from above, a lost love can be found again and the will to live restored.

Mark forsakes a scholarship to Yale and decides instead to leave his working-class home in Ohio to attend Cal Berkeley in 1967. Once there he immerses himself in the many forms of consciousness-expanding opportunities presented to him, and meets Pat, a politically active graduate student for whom he is an unanticipated diversion and a protector from her serious involvements, anchor to her secure and stable past, and beacon to a similar future, while for him she is the unanticipated emotional involvement he had determined to avoid while pursuing his academic goals. Though Mark does not share her idealistic commitment to the anti-war movement, and she does not accept his practical determination to graduate and become conventionally successful, they fall in love, but separate when the conflict between her idealism and his practicality become intolerable to her. Pat seemingly disappears while Mark is impelled along his predictable and pedestrian trajectory of middle-class existence. When the time is right, many years later, through some divine intervention, they meet again and are given that rare chance to recover the love they lost so many years ago.

Next Time We Meet

Robert Gokay

Writer

United States

Country of Origin

108

Number of Pages

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In the Hindu religion, Vishnu incarnates as an avatar whenever the world is threatened by evil. Appearing first as Siddartha Gautama (Buddha) and his mate, Kamala, two immortal souls reappear down through history during times of great threat to Man from factions promoting religious or racial supremacy – ultimately joining forces in late-20th century America to face down the most dangerous threat yet from the ascension of White Supremacy.

From his supreme viewpoint on the universe, the Hindi God Vishnu detects social turmoil in ancient India, and dispatches two incarnations of himself as avatars to bring enlightenment to Man. It’s not an easy job, and as our avatars find out, it may take a while. One of them appears as the Buddha and the other as his mate, Kamala. They meet again as ordinary people during the crusades and in Nazi Germany and finally in late 20th century America at the inception of a large-scale operation run by big pharma intended to both facilitate and to profit from emerging social trends toward authoritarianism and renewed racial divisiveness. They recognize this operation for what it is and unite in their human roles to combat it. They pay the ultimate price for their efforts, but being immortal souls, they will return to fight another day, in another story.

No matter how bad things get, we always come back.

Raised in Shaker Heights, Ohio. Upon high school graduation, moved to California and picked lemons in Santa Paula with other migrant farm workers. BA, UC Berkeley, MBA, UCLA, long career corp. middle management, marriage, family, retirement, divorce. Alarmed by re-appearance of White Supremacy and eugenics, wrote “Next Time We Meet”. Contemplating the passing of old friends and my own aging, wrote “Turn the Sandglass”.

Meeting Director Sam Peckinpah

Nancee LaFayette

Writer

United States

Country of Origin

61

Number of Pages

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Working at Universal Studios gave me access to so many talented directors, and working with Director Sam Peckinpah was a major event in my life. This is my true story…

My career in acting and singing started as a young girl in Rhode Island. Education in making movies and television shows began at Apache Land Movie Ranch, Arizona. I was dragged up the street and shot five times a day in live street shows; I also worked as an extra and stunt woman for productions that used the Ranch’s town as a location. In this environment, I worked with many Hollywood Legends including Director Sam Peckinpah, who did “ The Wild Bunch”, Elvis Presley and Audie Murphy.
Universal Studios was my film school and greatest teacher. This is where I studied the many different aspects of the motion picture industry for thirteen years. All the studio departments (titles, film editing, special effects, etc.) opened their doors and invited me into their domains. It was a great experience to be allowed on sets to watch and learn from many of the great actors, actresses, directors and fine crafts people.
I started as a tour guide and worked my way up to middle management. As a tour guide I gave VIP Tours and worked on special events for Mr. and Mrs. Lew Wasserman and other studio executives. At the same time, I was working on my acting and got my first role at Paramount Pictures in “The Day of the Locust” as Ginger Rogers. My studio told me that “…Doris Day’s look was out and so was I.” It was difficult to lose the tour guide image and, being young, I didn’t accept offers from many departments to join them. (Edith Head wanted me to have my head examined.)
I kept up with the Industry by continuing my education. I have studied Independent Producing at UC Berkeley, screen-writing seminars and have been perfecting my directing skills.
Stories help us to learn about life, and with the knowledge that I have both lived and learned, it’s time to write my sagas. I’m turning my movie scripts into books, my animation stories into graphic novels, and will take a private investigator course.

One cold morning at the Apachieland saloon two men walked in and sat at the end of the bar to my right. One was a big fellow with wavy hair down to his shoulders, mustached and bearded—he looked like he’d seen better days. The other man was smaller, also bearded and mustached, and wore a bandanna on his head. I asked the big fella, ”What’s your name?” “Frank Kawaloski,” he smiled. “Are you guys with the film crew?” They nodded. I looked them over and said, “I hear the director is a Little Cesar and when he says jump, you ask how high?” The smaller man asked, “Do you want a shot of brandy in your coffee?” “Yes,” I replied, as it was freezing in the saloon. Frank asked if I was afraid, and I said, “NO! That guy better not try pushing me or…” and I raised my little fist and shook it. Frank looked at the smaller man and said, “Do you see that SAM? You better behave, or this little girl will part your hair!” “Really? I’m Sam Peckinpah.” We stared at each other for a bit then I said, “Gotta Go”, finished my coffee, jumped off the barstool, and skedaddled.

When the film crew started working in town, I was an extra. Every time I turned around, I caught him looking at me. Understand, although people said I looked like Doris Day, I didn’t think so. I always had a weight problem and I didn’t like myself. I didn’t understand what was happening, as all my emotions were going crazy. Why this man? Why did I have these strong feelings for this old grizzly guy? I felt like I’d been hit by a truck, my heart hammered, and my head hurt. I wanted to run but needed the money, so worked and tried to keep my distance.

The following day, Sam worked the crew from 8 AM to 3 AM. There was always tension on the set, but that night electricity was in the dry cold desert air. Sam looked at me and said, ”You walk by with that cowboy over there and be happy and gay.” “No, I’m tired, find somebody else.” Lucian Ballard looked at me pleadingly. “Ok”, I said, and picked a cowboy from our street shows, walked past the camera, turned, looked into the camera, and said, “Ha. Ha, Ha,” and kept walking. Sam softly said, “Cut… you, my dear are a rotten, rotten, Rotten actress!” “Do it again, Goddammit!” The second time I did do it perfectly.

The next morning up at the barn standing near a beautiful black horse, I looked down the street and watched Sam standing in the middle of the road giving orders to the crew. You’ve heard of road rage, well, I had horse rage. Before I knew it, I was up on that black horse leaning down his neck and said, “You see that man? He called me a rotten, rotten, rotten actress. Let’s kill ‘em.” I kicked that horse and we thundered down the road hell-bent for leather. Sam saw us coming, didn’t move a muscle, and just stood there. Luckily the horse was smarter than me, sidestepped at the last instant so that my leg hit Sam’s arm, and twisted him into the direction we were going.

Pulling up the horse, I looked back and saw Sam standing there looking at me with a Mona Lisa smirk on his face.

The story is emotional, funny, and sad…

The film ends with a mini-documentary…

Mrs Saxena at the Hotel Grand

Yanush AHY

Writer

United Kingdom

Country of Origin

88

Number of Pages

Find out more below...

After a chance meeting of two people, four lives are changed forever. An astonishing story you wish it was your own.

Adapted from the novel by Elizabeth Taylor and the movie: “Mrs Palfrey at the Claremont”.
Blonde and blue-eyed SIDARTHA WINOR (Sid) is a Busker and aspiring, albeit blocked, writer. Much to his widowed, Indian mother’s dismay, he takes a job house-sitting, and finds himself in the plush borough of Chelsea, in London, where he soon encounters Mrs. ASHNA SAXENA.
Mrs. Saxena is an elderly, Indian widow displaced from her England home by a flash flood. She takes lodging at the Hotel Grand in London and hopes to spend some time with her grandson, SHAAM. But he never shows up. After twisting her ankle in the street, she is rescued by Sid. She invites him to dinner to show her gratitude. When she announces a guest is coming to dinner, everyone assumes it’s the much spoken of grandson.
Sid agrees to enter the Hotel Grand community pretending to be Shaam. The hotel regulars immediately adore him. Mrs. Saxena becomes both livelier and happier as a result of her new friendship with Sid. However, things become more complicated when the real Shaam visits unannounced and Saxena must rush to conceal his identity.
Through all of this Mrs Saxena does her best to help Sid with his own romantic troubles, particularly with his new girlfriend, GEETA GUNJ and also his dealings with his mother, SONIA WINOR. Mrs. Saxena also finds herself entangled in love, and fends off a proposal from the kindly MR. OSMOND that leads to an astonishing twist.